24 November 2023 2023

Museums at the Ecological Turn

What is the link between ecology and art? What role can museum institutions play in the face of the climate catastrophe? What does it mean – and is it enough – for a museum to be "sustainable"? In what ways has contemporary art addressed the question of ecology in recent years? Is it possible to reconcile the conflict between climate activism and artistic heritage? And in the face of ecosystem collapse, what is the meaning and importance of "conservation", in art as in ecology?

AMACI – Associazione dei Musei d’Arte Contemporanea Italiani, in collaboration with NERO, organised the second edition of the Museum XXI conference, Museums at the Ecological Turn, on 24 November in Bergamo, on the occasion of Bergamo Brescia Italian Capital of Culture 2023.

In 2017, the Association launched Museum XXI: a space for analysing the most current museum practices and the transformations of the contemporary art museum. Technological revolutions, new geopolitical configurations, and economic and environmental shifts confront cultural institutions with a generational challenge to rewrite their role and revise their working practices.

Museums at the Ecological Turn addressed the relationship between ecology, art and museum institutions, bringing together radical thinkers, artists, curators and representatives of climate activism.

In recent years, ecological discourse has taken on a profound resonance with artistic production and museum institutions. Contemporary art, through its sensitivity to ecological themes and its capacity to reassess the centrality of the conservation paradigm, provides fertile ground for examining the relationship between art and ecology, and exploring its complexities.

Building on these considerations, Museums at the Ecological Turn addressed a number of crucial questions that professionals in the museum sector can no longer afford to ignore, in order to sharpen reflection and identify possible responses.

Through a transdisciplinary and transgenerational dialogue, the conference was structured around four conceptual nodes, developing conversations drawn from museum and artistic practices, the demands of activism, and theoretical reflection. Moderated by Caterina Riva (Director of MACTE, Termoli) and Laura Tripaldi (writer and researcher), two strands of thought and practice were brought into dialogue at a time, drawing on the perspectives and experience of Italian and international guests. Bart van der Heide (Director of Museion, Bolzano) spoke with Amal Khalaf (curator and artist) on the theme Ecology and Institutions: Beyond Sustainability; Emanuele Braga (artist, philosopher and activist) engaged with Jamie Allinson (member of Salvage) on The Ecological Discourse in Contemporary Art; Stella Succi (art historian) and Leonardo Lovati and Fioretta Maldifassi (supporters of Ultima Generazione) discussed Art, Radical Ecology and Political Action; and Cal Flyn (writer and journalist) and Isabelle Carbonell (filmmaker and academic) discussed “Living Among the Ruins”: A Reflection on the Conservation Paradigm.


INFORMATION

The conference was held at the Aula Magna of the University of Bergamo, Piazzale Sant’Agostino 2, from 10am to 4.30pm. The event was free and open to the public, subject to registration via Eventbrite. Talks were given in Italian or English with simultaneous translation. The conference was not recorded. A publication, edited by NERO, was released in spring 2024.

PROGRAMMA

9.30 ― 10.00
Registrazione

10.00 ― 10.30
Saluti
Lorenzo Balbi, Presidente di AMACI
Lorenzo Giusti, Direttore della GAMeC
Simona Bonaldi, Vicepresidente della Fondazione della Comunità Bergamasca
Nadia Ghisalberti, Assessora alla Cultura del Comune di Bergamo
Sergio Cavalieri, Rettore dell’Università degli studi di Bergamo

10.30 ― 10.50
Introduzione
AMACI & NERO

10.50 ― 11.45
Nodo #1: Ecologia e istituzioni: oltre la sostenibilità
Il concetto di “sostenibilità”, spesso invocato come risposta alla crisi ecologica, rappresenta un bilanciamento tra lo sviluppo economico, la società e l’ambiente. Questo concetto, d’altra parte, rischia di sottostimare la profondità delle trasformazioni che le istituzioni, tanto quelle museali quanto quelle politiche ed economiche, dovranno attraversare per affrontare il cambiamento climatico.

Bart van der Heide, Direttore di Museion
Amal Khalaf*, Curatrice e artista
Caterina Riva, Moderatrice
Q&A

11.45 ― 12.05
Pausa

12.05 ― 13.00
Nodo #2: Il discorso ecologico nell’arte contemporanea
Il pensiero ecologico, attraverso la ricerca, la letteratura e la fiction speculativa, è diventato protagonista del discorso dell’arte contemporanea. Qual è il valore e quali sono le criticità ancora aperte di questa rielaborazione artistica del pensiero ecologico? Qual è la dimensione politica di questo impegno?

Emanuele Braga, Artista, filosofo e attivista
Jamie Allinson, Membro di Salvage
Laura Tripaldi, Moderatrice
Q&A

13.00 ― 14.00
Pausa

14.00 ― 14.15
Ripresa dei lavori

14.15 ― 15.10
Nodo #3: Arte, ecologia radicale e azione politica
L’obiettivo è quello di aprire una riflessione sul rapporto tra attivismo e mondo dell’arte a partire dalle azioni degli attivisti climatici sul patrimonio artistico. I fatti di cronaca saranno il punto di partenza per una riflessione più approfondita sulla capacità delle istituzioni culturali di interfacciarsi con l’urgenza dell’emergenza climatica.

Leonardo Lovati e Fioretta Maldifassi, Sostenitori di Ultima Generazione
Stella Succi, Storica dell’arte
Laura Tripaldi, Moderatrice
Q&A

15.10 ― 16.05
Nodo #4: “Vivere tra le rovine”: una riflessione sul paradigma della conservazione
Il paradigma della conservazione, tanto ecologica quanto artistica, è un nodo di riflessione ancora aperto. Recentemente, molti teorici hanno riflettuto su nuovi approcci ecologici capaci di ridiscutere il concetto di conservazione.

Cal Flyn*, Scrittrice e giornalista
Isabelle Carbonell, Regista e docente
Caterina Riva, Moderatrice
Q&A

16.05 ― 16.30
Conclusioni
Caterina Riva e Laura Tripaldi

* L’intervento si è tenuto da remoto.